Curated by Najlaa El-Ageli (Noon Arts Projects), the 'Retracing A Disappearing Landscape' is an interdisciplinary art exhibition that is currently on show at the P21 Gallery in London until 12 May. Presenting visual artworks, especially commissioned installations, films and photography (both recent and archival), it creatively explores people’s direct experience of and fascination with memory and personal history, as well as the collective narratives that arise in connection to modern day Libya.
The first of its kind internationally, it is also hosting a parallel programme of talks that adds more depth and insight into the themes that come up in the viewing of the artworks and interaction with the installations. Involving over 25 contemporary artists and professionals, both Libyan and non-Libyan, their backgrounds draw upon diverse disciplines that include: poetry, literature, history, research, photojournalism and documentary filmmaking.
Participating artists and professionals are: Najat Abeed, Mohamed Abumeis, Huda Abuzeid, Mohamed Al Kharrubi, Takwa Barnosa, Mohamed Ben Khalifa, Najwa Benshatwan, Alla Budabbus, Malak Elghwel, Elham Ferjani, Yousef Fetis, Hadia Gana, Ghazi Gheblawi, Reem Gibriel, Jihan Kikhia, Marcella Mameli-Badi, Guy Martin, Arwa Massaoudi, Khaled Mattawa, Tawfik Naas, Laila Sharif, Najla Shawket Fitouri, Barbara Spadaro and Adam Styp-Rekowski.
Beginning with the archetypical memories associated with the traditional Libyan family album, the visual elements show images and scenes from private archives that go as far back as the early 1900s. These photos clearly hint at the social fabric of many decades past that has now undergone much visible and felt change. Whilst the second segment features a number of installations that are meant to be temporary repositories and eye-witnesses to the country’s history in different interpretive ways.
The capital city of Tripoli becomes a recurring monumental backdrop, wherein the city’s past, its signposts and architecture are intermingled with the artists’ stories and their attempt to capture and retrace the city’s disappearing and ever-changing landscape. The Ghazala installation, for example, addresses the unusual fate of the historic figurine fountain that was built by the Italian sculptor Vanetti in the 1930s and was an iconic landmark in central Tripoli for decades, before it recently vanished.
The raw history of the entirety of Libya also comes into view with reflections on its many uncomfortable episodes, including: the colonial chapter, the current migrant crisis, the shifting urban landscape, the suffering under dictatorship for 42 years and the turbulent post-revolutionary period.
Looking thus at the known and unknown memories of Libya through the work of its citizens, both at home and abroad, the country is revealed to be a powerful force in their lives, as it is always carried in their hearts, thoughts and collective psyche and never far from their mind. By exhibiting these artworks and hosting the parallel programme that delves deep into the Libyan artistic, cultural and intellectual terrain, it is encouraging robust discussion and reflection amongst guests and the British public.
‘Retracing A Disappearing Landscape’ is generously supported and funded by the Arab Fund for Arts and Culture (AFAC), DARF Publishers, British Council and private individuals.
For P21 Gallery link: http://p21.gallery/exhibitions/exhibition-retracing-a-disappearing-lands...
For Noon Arts Projects link: https://www.noonartsprojects.com/projects-2/
Image: The Ghazala by Alla Budabbus