LATEST ARTICLES
+Editorial Notes
LATEST ARTICLES
+Editorial Notes
Alia Derouiche Cherif – Nahla Ink Artist of the Season (Autumn 2021)
Arab Cinema Shines Bright
Sudan Retold: An Art Book About the History and Future of Sudan
‘Making The Postcard Women’s Imaginarium’: Subverting colonial depictions & Orientalist fantasies of women found circulating on old postcards
June Note: In Search of Arab London + Print Isn’t Dead! + Calligraphic Rhythms + Shubbak Festival + Tribute to Rim Banna + More!
SAFAR 2016: Film Festival Solely Dedicated to Contemporary Arab Cinema
Retracing A Disappearing Landscape: Exhibition Overview + Parallel Programme

Event Details
Solo Exhibition – Sudanese-Egyptian Artist Amado Alfadni – Curated by Najlaa El-Ageli Amado AlFadni is an artist who was born in Cairo, Egypt in 1976 to Sudanese parents. His childhood environment
Event Details
Solo Exhibition – Sudanese-Egyptian Artist Amado Alfadni – Curated by Najlaa El-Ageli
Amado AlFadni is an artist who was born in Cairo, Egypt in 1976 to Sudanese parents. His childhood environment was composed of both the Cairene street and the traditions of a Sudanese household. The relationship and the tension between these two different cultures strongly influenced his views, making him question the subject of identity with its related rhetoric, as well as the variables of nation and ethnicity in his work.
Fearlessly through his art Amado engages with forgotten historical chapters that are difficult to digest, as he then references them with the current state of things. Based on his dedicated and passionate study with documentation, he delves into sore and sensitive passages of time that have been ignored, to make a credible case for those who thus far have not been heard, nor given a platform to speak of their anguish, pain, hurt and trauma, to understand the dotted lines left behind.
The ‘Alternative Museum of The Sudan’ is Amado’s first solo exhibition in London, that traces the findings of his five-year journey and research into the buried histories of the people of the Sudan who were badly affected by colonialism and other interruptive external forces. His multimedia works revive the local stories and reflect upon the fate of his Sudanese ancestors, revealing an incomprehensible exploitation of the African people, from the earliest times up to the present.
The show also draws upon the artist’s interest in the notion of authenticity when an identity has come into contact with a colonial factor and or an aggressive power subjugation. He utilizes postcards, photographs, and oral archives to reveal some of the complex relationships that have ensued from the interplay between colonial dominance and how that has affected Black Africa as well as the intermingled histories of the people living in the unique geographical zone of where the Sudan meets Egypt and North Africa.
Viewing is by appointment only.
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Time
July 4 (Monday) 10:00 - August 31 (Wednesday) 17:00
Location
Sulger-Buel Gallery
The Loft, 51 Surrey Row, Unit 2 La Gare, London SE1 0BZ

Event Details
Solo Exhibition – Sudanese-Egyptian Artist Amado Alfadni – Curated by Najlaa El-Ageli Amado AlFadni is an artist who was born in Cairo, Egypt in 1976 to Sudanese parents. His childhood environment
Event Details
Solo Exhibition – Sudanese-Egyptian Artist Amado Alfadni – Curated by Najlaa El-Ageli
Amado AlFadni is an artist who was born in Cairo, Egypt in 1976 to Sudanese parents. His childhood environment was composed of both the Cairene street and the traditions of a Sudanese household. The relationship and the tension between these two different cultures strongly influenced his views, making him question the subject of identity with its related rhetoric, as well as the variables of nation and ethnicity in his work.
Fearlessly through his art Amado engages with forgotten historical chapters that are difficult to digest, as he then references them with the current state of things. Based on his dedicated and passionate study with documentation, he delves into sore and sensitive passages of time that have been ignored, to make a credible case for those who thus far have not been heard, nor given a platform to speak of their anguish, pain, hurt and trauma, to understand the dotted lines left behind.
The ‘Alternative Museum of The Sudan’ is Amado’s first solo exhibition in London, that traces the findings of his five-year journey and research into the buried histories of the people of the Sudan who were badly affected by colonialism and other interruptive external forces. His multimedia works revive the local stories and reflect upon the fate of his Sudanese ancestors, revealing an incomprehensible exploitation of the African people, from the earliest times up to the present.
The show also draws upon the artist’s interest in the notion of authenticity when an identity has come into contact with a colonial factor and or an aggressive power subjugation. He utilizes postcards, photographs, and oral archives to reveal some of the complex relationships that have ensued from the interplay between colonial dominance and how that has affected Black Africa as well as the intermingled histories of the people living in the unique geographical zone of where the Sudan meets Egypt and North Africa.
Viewing is by appointment only.
more
Time
July 4 (Monday) 10:00 - August 31 (Wednesday) 17:00
Location
Sulger-Buel Gallery
The Loft, 51 Surrey Row, Unit 2 La Gare, London SE1 0BZ

Event Details
The Mosaic Rooms presents Fantasies on a Found Phone, Dedicated to the Man Who Lost it, the first UK solo exhibition by Mahmoud Khaled. Through a series of unfolding installations and interventions Khaled
Event Details
The Mosaic Rooms presents Fantasies on a Found Phone, Dedicated to the Man Who Lost it, the first UK solo exhibition by Mahmoud Khaled. Through a series of unfolding installations and interventions Khaled builds an immersive environment. He ambitiously transforms The Mosaic Rooms period, domestic architecture into the imagined dwellings of the owner of a lost phone. The work continues Khaled’s interest in historic house museums and the nostalgia and memorialising of individual perspectives found in them. In this new commission the artist repositions this museological form in a contemporary queer lens to explore male identity and intimacy.
The artist notes: “the exhibition is a spatial portrait of an absent person revealed through the (quite strange) contents of the phone he left behind in a public bathroom. A mysterious portrait of a man with a passion for ‘décor’ and beauty, a highly eroticised man, afflicted with anxiety, insomnia, and melancholy at the same time.”
Khaled looks at this tension between desire and anxiety, dream and reality. He focuses on sleeplessness as a metaphor for political states of being, of not belonging, of being displaced. This sense of disquiet is experienced in the installation as we are aware of both the intimacy and artifice of the spaces. The visitor, as a voyeur, simultaneously feels at home and unsettled, and this state of sleeplessness permeates the space.
While the phone or indeed its owner are never seen in the exhibition, the location of its loss is known, and photographs from it are presented in an accompanying publication, Fantasies on a Found Phone, Dedicated to the Man Who Lost it. Here, a compulsive mass of images references the cognitive dissonance and voyeurism experienced with constant scrolling through social media and swiping in dating apps. The publication celebrates an imaged event, giving the reader an insight into fleeting moments of intimacy, queer pleasure and anonymity.
Mahmoud Khaled was born in Alexandria, Egypt, and currently works in Berlin. His practice is both process oriented and multidisciplinary, can be regarded as formal and philosophical ruminations on art as a form of political activism, and a space for critical reflection. He has presented in international solo shows and group shows such as Bonner Kunstverein, Bonn (2019), Kunstinstituut Melly, Rotterdam (2018), Istanbul Biennale (2017), Sharjah Bienniale (2017), Whitechapel Gallery, London (2016). He was a guest artist at the DAAD Artists-in-Berlin programme in 2020.
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Time
August 1 (Monday) 11:00 - September 25 (Sunday) 18:00
03aug(aug 3)19:2029(aug 29)20:20ESTHER MANITO #NOTALLMEN19:20 - 20:20 (29) Gilded Balloon

Event Details
Produced by Plosive Live for Edinburgh Fringe 2022 In her award-winning stand-up show, Esther Manito (Live at the Apollo, The Stand Up Sketch Show) looks back at the era
Event Details
Produced by Plosive Live for Edinburgh Fringe 2022
In her award-winning stand-up show, Esther Manito (Live at the Apollo, The Stand Up Sketch Show) looks back at the era of lad mags, landlines and cock-n-ball graffiti. A time where the media said her Middle Eastern heritage was filled with misogynistic men, whereas the West absolutely had (and still has) sexism sorted.
Has lad culture really improved? Does 90s Essex have the answers? Best Show winner, Leicester Comedy Festival 2021. ‘Manito skilfully weaves her own personal story with a wider look at gender issues in society’ **** (Evening Standard). ‘Incredible comedian’ **** (EdFestMag.com).
For tickets: https://tickets.gildedballoon.co.uk/event/14:3874/
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Time
3 (Wednesday) 19:20 - 29 (Monday) 20:20
Location
Gilded Balloon
Gilded Balloon, Teviot, University of Edinburgh, Edinburgh EH8 9AJ
05aug(aug 5)12:0027(aug 27)18:00Egypt x Beirut12:00 - 18:00 (27) P21 Gallery

Event Details
P21 Gallery is proud to present Egypt x Beirut, a small selection of images taken across the mesmerising and ancient land of Egypt during the holy month of Ramadan in
Event Details
P21 Gallery is proud to present Egypt x Beirut, a small selection of images taken across the mesmerising and ancient land of Egypt during the holy month of Ramadan in 2022, witnessing the humbling and beautiful practise of fasting in the Muslim world.
Ramadan in Egypt is unique, for she is dressed in jewels that are fairy lights, myriads of tiny flags and fringe garlands and kaleidoscopic fabrics everywhere – all coming together in a multi-sensory feast – for the eyes, with the divine smells of food against the buzzing backdrop of everyday symphony of cities – of course with Cairo, the queen of all.
There are two distinctive faces of Ramadan in Egypt, just like the Sun and Moon, they complement each other and merge in a seamless circle. During the day, the myriad of flags, fringes, and fabrics dance in divinity with the wind – perfectly mirroring the eternal motion of its people. During the night, the fairy lights come alive – highlighting public spaces for what they truly are: people’s palaces.
When the time of Iftar arrives, the whole country stops, prays, and comes together in unity to share food. It is beautiful, selfless, generous, humbling – we are one. We eat together – no matter where are you from, what is your religion – sharing food, smiles, kind words, and love.
In tandem, as the exhibition happens to open on August 4 – how can we not talk about the Beirut Blasts? We must never forget, and in solidarity the least the artist can do is talk about it.
On 4th August 2020, the artist was sitting on a plane flying above Turkey having not the slightest idea of what is happening in the city she was about to descend to. Approaching over the sea, the artist saw black billowing clouds of smoke from up above, huge swirling fumes. Then she saw the endless sea of shattered glass carpeting the streets, riding on glass-water in the taxi amongst the ghosts of buildings, skeletons with no more windows, no more doors. Just rubble everywhere – rubble which meant a lifetime collection of items, HOMES of people, who were now left with little to/and nothing in many cases. Shattered hearts, they were left with shattered hearts – she keeps seeing their shattered hearts.
The artist Nikolett Puskas is an activist, who likes to do things, not only theorise on them. She believes in bottom-up, grassroots initiatives for social inclusion and real change, paving way to the right to the city and right for environmental justice. She has been working in the urban sphere since 2015.
This exhibition is curated and supported by: HUB Collective
For more: https://p21.gallery/current-exhibitions/egypt-x-beirut
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Time
5 (Friday) 12:00 - 27 (Saturday) 18:00
Location
P21 Gallery
P21 Gallery, 21 Chalton Street, London, NW1 1JD
15aug(aug 15)00:0031(aug 31)00:00Aflamuna - Sharing Independed Arab Cinema00:00 - 00:00 (31)

Event Details
The running theme amongst the films and documentaries being streamed on Aflamuna this August month is ‘Family Album’, introduced online by an essay written by Renée Awit, Project Manager of
Event Details
The running theme amongst the films and documentaries being streamed on Aflamuna this August month is ‘Family Album’, introduced online by an essay written by Renée Awit, Project Manager of Aflamuna.
The films that will be free to view are: ‘104 Wrinkles’ by filmmaker Hady Zaccak, ‘All About My Father’ by Zeina Sfeir, ‘1958’ by Ghassan Salhab, ‘My Father Looks Like Abdel Nasser’ bu Farah Kassem, and ‘Diaries of a Flying Dog’ by Bassem Fayyad.
Aflamuna (“our films” in Arabic) is a nonprofit streaming platform, made by Beirut DC, to share Independent Arab Cinema with audiences across the world.
Each month, a new curator explores a social, political, or cultural theme through a hand-picked selection of cult, contemporary, classic, and independent Arab films. Every week, a new film is made available to subscribers.
Aflamuna is also a space for socio-political and critical thought around independent Arab cinema. Original essays unravel the context, power and impact of each program, and explore their relevance to the present moment.
The Aflamuna team works hard on expanding aflamuna even further. Anyone can sign up for free today to access the weekly films and join the unique cinematic journey!
This program has been made possible with the support of the Centre national du cinéma et de l’image animée, the Ford Foundation and the Arab Fund for Arts and Culture – AFAC.
For more about Beirut DC: https://www.beirutdc.org/
To watch the August film programme: https://www.aflamuna.online/en/
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Time
15 (Monday) 00:00 - 31 (Wednesday) 00:00

Event Details
Sezar Alkassab is a Glaswegian comedian, whose family are from Iraq. He brings his conversational comedy style to the 2022 Camden Fringe with a new show which explores turning 30,
Event Details
Sezar Alkassab is a Glaswegian comedian, whose family are from Iraq. He brings his conversational comedy style to the 2022 Camden Fringe with a new show which explores turning 30, dating and relationships, social awkwardness and more with silly stories, informed observations, and provocative punchlines.
“Made me laugh my ass off!” – The Scotsman
“Absolutely brilliant! Such a friendly guy, and the show was hilarious!” – The Vaults UK
“An exceptionally talented comedian with a no doubt bright future in comedy.” – The Camden Fringe Voyeur
Alkassab will be performing his show on four nights 18, 19, 25 and 26 August, 2022 at Aces and Eights venue in Tufnell Park.
For tickets: https://camden.ssboxoffice.com/events/laughable/
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Time
18 (Thursday) 20:00 - 26 (Friday) 21:30
Location
Aces and Eights
Aces and Eights, 156-158 Fortess Rd, Tufnell Park, London, NW5 2HP

Event Details
Future Tales – Free art workshops for Arab ethnic minority women. Get creative on the weekend with Zero Tolerance’s Future Tales project. Scottish Arab Women’s Association and Zero
Event Details
Future Tales – Free art workshops for Arab ethnic minority women.
Get creative on the weekend with Zero Tolerance’s Future Tales project.
Scottish Arab Women’s Association and Zero Tolerance are inviting you to take part in art workshops to explore a future of gender equality and no violence against women and girls.
Please let us know about any barriers you may have to participate in this event (childcare, language support, travel etc.) and we will make every effort to support you. Email info@zerotolerance.org.uk for more information.
The workshops are part of our 30th Anniversary Future Tales project and will be delivered by artists Marta Adamowicz and Kasia Jackowska. During the workshops you will learn how to use lino printing technique and write short stories. Artworks we will produce will be used to create an art exhibition for our anniversary celebrations.
We will:
- Engage in discussions in an open-minded and respectful way.
- Learn new art techniques – beginners welcome, no previous experience needed to take part.
- Provide all workshop materials.
- Have space for anyone to take a break if they feel overwhelmed or triggered and we will provide information for support if anyone needs it.
- Have a No Questions Asked policy for anyone who leaves the workshop at any point.
We won’t:
- Ask or expect you to share any personal information about your experiences.
- Assume any knowledge, art experience or skills prior to the workshop.
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Time
(Saturday) 12:00 - 15:00
Location
The Bowling Green
The Bowling Green, Pollokshields, 40 McCulloch Street, Glasgow G41 1SU

Event Details
The Mosaic Rooms presents Fantasies on a Found Phone, Dedicated to the Man Who Lost it, the first UK solo exhibition by Mahmoud Khaled. Through a series of unfolding installations and interventions Khaled
Event Details
The Mosaic Rooms presents Fantasies on a Found Phone, Dedicated to the Man Who Lost it, the first UK solo exhibition by Mahmoud Khaled. Through a series of unfolding installations and interventions Khaled builds an immersive environment. He ambitiously transforms The Mosaic Rooms period, domestic architecture into the imagined dwellings of the owner of a lost phone. The work continues Khaled’s interest in historic house museums and the nostalgia and memorialising of individual perspectives found in them. In this new commission the artist repositions this museological form in a contemporary queer lens to explore male identity and intimacy.
The artist notes: “the exhibition is a spatial portrait of an absent person revealed through the (quite strange) contents of the phone he left behind in a public bathroom. A mysterious portrait of a man with a passion for ‘décor’ and beauty, a highly eroticised man, afflicted with anxiety, insomnia, and melancholy at the same time.”
Khaled looks at this tension between desire and anxiety, dream and reality. He focuses on sleeplessness as a metaphor for political states of being, of not belonging, of being displaced. This sense of disquiet is experienced in the installation as we are aware of both the intimacy and artifice of the spaces. The visitor, as a voyeur, simultaneously feels at home and unsettled, and this state of sleeplessness permeates the space.
While the phone or indeed its owner are never seen in the exhibition, the location of its loss is known, and photographs from it are presented in an accompanying publication, Fantasies on a Found Phone, Dedicated to the Man Who Lost it. Here, a compulsive mass of images references the cognitive dissonance and voyeurism experienced with constant scrolling through social media and swiping in dating apps. The publication celebrates an imaged event, giving the reader an insight into fleeting moments of intimacy, queer pleasure and anonymity.
Mahmoud Khaled was born in Alexandria, Egypt, and currently works in Berlin. His practice is both process oriented and multidisciplinary, can be regarded as formal and philosophical ruminations on art as a form of political activism, and a space for critical reflection. He has presented in international solo shows and group shows such as Bonner Kunstverein, Bonn (2019), Kunstinstituut Melly, Rotterdam (2018), Istanbul Biennale (2017), Sharjah Bienniale (2017), Whitechapel Gallery, London (2016). He was a guest artist at the DAAD Artists-in-Berlin programme in 2020.
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Time
August 1 (Monday) 11:00 - September 25 (Sunday) 18:00
02sep(sep 2)23:0003(sep 3)04:00Hishek BishekBy MARSM UK23:00 - 04:00 (3) Electrowerkz

Event Details
The soundtrack of London’s favourite late-night Arabic party! Lace up your dancing shoes, and get ready to take the dance floor
Event Details
The soundtrack of London’s favourite late-night Arabic party!
Lace up your dancing shoes, and get ready to take the dance floor to the musical soundtrack of your favourite late-night Arabic party!
Paying homage to the Middle East’s popular music history, Hishek Bishek is a pulsing club night dedicated to the region’s vibrant sonic cultures. From chart-topping Iraqi and Lebanese dancefloor hits, and the newest releases from Egypt’s underground, to Palestinian electronic dabke and nostalgic synthed-out 90’s classics, Hishek Bishek has become a vibrant staple in London’s late-night club scene.
___________________________________________________________
This event is strictly 18+.
You must bring photo ID that is not expired (examples of accepted ID: drivers license, passport, BRP – or any other form of valid government-issued photo ID). You must bring your physical ID – scanned copies and photographs cannot be accepted.
Unfortunately, refunds cannot be provided if you are not able to show your valid photo ID (CANNOT BE EXPIRED!).
___________________________________________________________
Please email enquiries@electrowerkz.co.uk with questions regarding ID, entry, and in the case of any problems.
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Time
2 (Friday) 23:00 - 3 (Saturday) 04:00
Location
Electrowerkz
7 Torrens Street, EC1V 1NQ London, United Kingdom

Event Details
Ahead of the Postcard Imaginarium Exhibition, join artist curator Salma Ahmad Caller and artists Afsoon and Hamida Zourgui for a friendly evening of discussions and sharing, talking about heritage, identity
Event Details
Ahead of the Postcard Imaginarium Exhibition, join artist curator Salma Ahmad Caller and artists Afsoon and Hamida Zourgui for a friendly evening of discussions and sharing, talking about heritage, identity and belonging.
Bring your old photographs, family photographs, heritage items, dress, jewellery, memories, and help piece together stories of being Arab/North African and British, unpick imagery and stereotypes on colonial postcards of women from the Middle East and North Africa. Open to all, whether you want to bring something or just enjoy the conversation.
The Postcard Imaginarium Project was created and set up by artist and art historian Salma Ahmad Caller in 2018 to investigate the archive of colonial 19th century images of women on postcards from the Middle East and North Africa whilst also exploring her mixed Egyptian and British identity.
The project has grown into a collective of artists and researchers working together to decolonise the colonial lens who are researching their own personal family histories across ‘east’ and ‘west’ and making connections and relationships to the Postcard Women from these regions.
The Postcard Imaginarium Exhibition and surrounding events are supported by Arts Council England and are in partnership with The Mixed Museum, The Arab British Centre and the Zay Initiative.
Thursday 15 September 2022 6.30pm – 8.30pm at The Arab British Centre.
Free but please RSVP in advance via the ABC online form : https://www.arabbritishcentre.org.uk/whatson/the-imaginarium-postcard-project-things-that-matter-bring-and-tell-event/
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Time
(Thursday) 18:30 - 20:30
Location
The Arab British Centre
1 gough square london ec4a 3de
20sep17:0018:30Meet the Postcard Women!Hosted by The Zay Initiative 17:00 - 18:30

Event Details
Sit down and make yourself uncomfortable: Meet the postcard women in conversation with Dr Reem El Mutwalli in this special 90 min webinar.
Event Details
Sit down and make yourself uncomfortable: Meet the postcard women in conversation with Dr Reem El Mutwalli in this special 90 min webinar.
Meet founder of the Imaginarium postcard project, artist and art historian Salma Ahmad Caller, and the artists, experts and researchers – Afsoon, Alia Derouiche Cherif, Hamida Zourgui, Hala Ghellali, and CritTeam’s Eugenia López Reus & Miguel Jaime, who all have been involved in the Making The Postcard Women’s Imaginarium project since 2018.
These artists each have personal histories entangled with the narratives of the Postcard Women. They have been making work in response to colonial postcards of women from the late 1800s and early 1900s that were posted from the Middle East and North Africa to Europe.
Their work challenges and questions the racial stereotypes that these postcards create, decolonises the lens, and takes a deep dive into the MENA region and cross-cultural legacies of heritage and adornment that make this archive so fascinating, important and problematic.
In reclaiming the Postcard Women these artists ask us to sit down and make ourselves uncomfortable by looking closely at how women from these regions have been constructed as marginalised, exoticised primitive ‘others’ and to now take the women out of the one-dimensional colonial space-time and re-contextualise them. And in so doing to interrogate not only the orientalist and colonial frames surrounding each woman but our own complicity in maintaining the hierarchical typology that these cards were part of instilling.
REGISTERING WILL GIVE YOU ACCESS TO THE 90 MINUTE LIVE SESSION, A RECORDED VERSION TO CATCH UP IN YOUR OWN TIME WHICH WILL BE SENT TO YOU WITHIN 24 HOURS AFTER THE WEBINAR
For more information and how to register for this online event: https://www.eventbrite.co.uk/e/121-meet-the-postcard-women-tickets-375076733607
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Time
(Tuesday) 17:00 - 18:30

Event Details
A series of community led events to promote and celebrate Algeria’s vast cultural heritage, under-stated, under-reported and often misunderstood. To share the incredibly rich country’s culture in
Event Details
A series of community led events to promote and celebrate Algeria’s vast cultural heritage, under-stated, under-reported and often misunderstood. To share the incredibly rich country’s culture in its diverse forms for all audiences from 30th Sept – 8 October, 2022.
Elle-Djazair explores contemporary chronicles of Algerian identity representation. As reflected through different visual mediums, from photography, digital art and performance, this collective show unveils powerful parallels between UK-Algeria Diaspora generations and the complex connections to the motherland.
Esraa Warda will open the night with a dance performance to the rhythms of Rai, Chaoui, Allaoui and more Algerian beats! All the way from New York, she is a child of the Algerian diaspora, Warda is a cultural warrior and advocates for the representation & preservation of North African women-led dance traditions! A show to behold!
Samira will rock East London with her incredible sound blend of East meets West and her strong yet mesmerizing vocals! She comes to us with her latest album!
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Time
September 30 (Friday) 19:00 - October 8 (Saturday) 18:00
TWEETS & SOCIAL
Curious about Arab-inspired arts and culture? Updated today, there is plenty to view (exhibitions), stream (films), listen and dance to (music), engage with (workshops), laugh (comedy) and simply to enjoy the great events coming up this Aug-Sept. Listed on nahlaink.com pic.twitter.com/Xp54K1cKeW
Arabic Film Lovers, check out what is now freely streaming and English sub-titled on @aflamuna/أفلامنا. The August theme is 'Family Album', introduced online by an essay written by Renée Awit. Watch some fo the fantastic films and documentaries now: aflamuna.online/en
An incredibly important survey to better understand the challenges facing the Arab music industry scene. Anyone involved (musician, composer, producer, record label, manager or music writer) is invited to complete this 20 minute survey via @AFAC1 and to pls share it widely! twitter.com/FayrouzKarawya…
Updated for August-September months, have a look at upcoming arts and culture events for the Arab-Londoner. At nahlaink.com twitter.com/NahlaInk/statu…
For one night only, Curfew is showing at Bloomsbury Threatre. Borne out of a UK/Palestinian collaboration b/t Hawiyya Dance Co and El-Funoun Palestinian Dance Troupe, Curfew speaks to a numbed world no longer able to respond to bombardment of news, surveillance and manipulation! twitter.com/bloomstheatre/…