Nour Hage presents the Kheit exhibition at Leighton House Museum, with the works on display in the historic Drawing Room, from 28 April -16 July, 2023. The show and event series have been organised in collaboration with The Arab British Centre.
Meaning ‘thread’ in Arabic, Kheit presents three main artworks created in response to the tiles in the Arab Hall and staircase hall. An award-wining textiles artist, Hage has researched the museum’s collection of antique textiles, featuring Syrian clothing, Ottoman hangings and runners, and Iranian carpets. During Leighton’s lifetime, the textiles from the Middle East and North Africa were a prominent decorative feature in the house, and over the last two years the museum has acquired and displayed significant pieces to recreate the original interiors.
The Artworks
Drawing inspiration from the mosaic frieze designed by Walter Crane (1845-1915) for the Arab Hall, Hage has created Her Rays and Sukun, representing the sun and the moon through colour and texture. In Her Rays, golden brown silk and cotton braids hang down suggesting the sun’s rays. By contrast in Sukun, the moon’s cool serenity and calm is reflected in pale grey and purple tones. This piece was woven on a circular loom in a technique crafted by the artist and is surrounded by braids. In West Asian culture, braids are believed to lock in the evil eye and bad energy.
The colours of the pieces were informed by some verses found in a calligraphic tile panel on the staircase at Leighton House, attributed to Sheikh Muhammad Jamal ud-Din al-Makki al Amili, a fourteenth century poet from Jezzine, the artist’s hometown in Lebanon. Hage dyed the fabrics using sumac berries gathered from Jezzine, to obtain the darker brown hues for Her Rays. She then further soaked the fabrics in an iron bath, made from rusty nails found in the artist’s new home in Dubai, to achieve the cool greyish purple tones for Sukun.
Also on display is Our Garden, co-produced with eight local residents, invited to participate in a series of workshops to create embroidered symbols which had a personal significance for them. Stitched together, the resulting piece is presented as a talisman, imbued with each participant’s intentions.
Our Garden also reminisces of a Palestinian tradition where women from one family or community embroider and stitch together a wedding trousseau which the bride keeps her entire life, carrying memories and maternal lineage. The technique used for Our Garden mirrors traditional Turkish towels, typically embroidered by women using silk thread, gold wire or flat gold strips to create different textures. An example of a Turkish towel from the museum’s collection is also on display in the exhibition room.
Kheit has been funded by the Barakat Trust’s Hands on Islamic Art grant, made possible by the National Heritage Lottery Fund.
The Artist
Nour Hage is an award-winning British-Lebanese artist and designer, working across textiles and digital material. Her practice is centered on the exploration of West Asian identities, culture, history and storytelling, with a particular focus on the role of women, the supernatural and mental well-being. Nour was the inaugural Jameel Fellow at the V&A Museum in 2021-22 and was awarded the Boghossian Foundation Prize in 2014. She graduated from Parsons School of Design (Paris) with a BFA in Fashion Design.
For more: https://www.rbkc.gov.uk/museums/nour-hage-kheit
